
Yulia Pinkusevich Kharkov, Ukraine, b. 1982
Triple Isorithm: February 24, 2022, 2022
Acrylic, Spray Paint, Soot and Dry Pigment on Linen
61 1/2 x 93 in.
156.2 x 236.w cm
156.2 x 236.w cm
'This piece diagrams the first day of the full scale Russian Invasion of Ukraine, 3 cities were simultaneously attacked by air bombing, Lugansk, Kiev and Bucha. This series uses Cold...
"This piece diagrams the first day of the full scale Russian Invasion of Ukraine, 3 cities were simultaneously attacked by air bombing, Lugansk, Kiev and Bucha. This series uses Cold War Era military manuals for mapping the casualties of war. I co-opt this methodology to represent ongoing conflicts that Russia has inflicted on Ukraine and beyond.
I was born in Kharkiv, Ukraine and lived there under Soviet occupation until my family was given a refugee visa and immigrated just a month prior to the fall of the Soviet Union. When we were in route to the airport in Moscow to fly abroad, I vividly recall seeing the military tank groves, deep carved repeating lines stamped into the asphalt of the main avenues and streets. What I saw were traces of the political upheaval that ultimately toppled the USSR. The patterns, groves and imprints of political unrest continue to fascinate and disrupt my sensibilities throughout my life."
– Yulia Pinkusevich
I was born in Kharkiv, Ukraine and lived there under Soviet occupation until my family was given a refugee visa and immigrated just a month prior to the fall of the Soviet Union. When we were in route to the airport in Moscow to fly abroad, I vividly recall seeing the military tank groves, deep carved repeating lines stamped into the asphalt of the main avenues and streets. What I saw were traces of the political upheaval that ultimately toppled the USSR. The patterns, groves and imprints of political unrest continue to fascinate and disrupt my sensibilities throughout my life."
– Yulia Pinkusevich
Provenance
Private CollectionExhibitions
Schema: World as Diagram. Marlborough Gallery, NY11 May – 15 August, 2023, illus in color p. 109
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